something new under the sun ancient wisdom for contemporary living
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This ultimate writer's reference connects you to who's who in the publishing industry. Inside, you'll find the names, addresses, phone numbers, and e-mail and Web addresses of hundreds of top editors and agents, plus essays from industry insiders who reveal the secrets to big-time success. More comprehensive than ever before, this year's edition offerseverythingyou need to get past the slush piles and into the hands of the real players in the publishing arena, including how to write attention-grabbing book proposals and thrive off of rejection. With this book and your talent, you hold the keys to getting published. "One of the most thorough, up-to-date references in publishing. An essential tool for serious writers."—Doris Booth,editor in chief, Authorlink.com "Beats the pants offWriter's Market."—Francesca Vicatios, cofounder, Writers' Showplace Inc. "Reading theWriters' Guideis like personally interviewing hundreds of agents. It is the only resource that reveals both agent preferences and personalities. No other book comes close, and no other book has brought us so many sales."—Mark Ryan,New Brand Agency Group "Writer's Guide has eclipsed bothLiterary Market PlaceandWriter's Marketas a source of projects for our agency."—Michael Snell, Michael Snell Literary Agency "Packed with information that every writer who wants to get published needs to know. An indispensable guide to the world of book publishing."—John Aherne,editor, Warner Books "Writer's Guidehas consistently brought us well-targeted, top-quality submissions. An excellent sourcebook, for the beginning and the professional writer alike."—John Talbot,The John Talbot Agency
The classic reference guide for book authors has been completely revised and updated with the names and specific areas of interest of thousands of editors at over 500 book publishing houses.
The pioneer of contextual theology concludes his trilogy on the person and message of Jesus with a profound meditation on the significance of Jesus for a post-Christian world.
Biblical contributors express an oral stage engaging Christianity within a properly basic communal worldview similar to Alvin Plantinga advocates. This approach includes a communal Christian application of common sense realism within a worldview and rhetoric similar to Hillite Pharisaism. Each biblical contributor provided vivid testimony using rabbinic language and thought forms. For example, Jewish-Christian midrash re-appropriates Old Testament quotes and narrative in a new performative pesher manner to present Jesus as the Christ. Moving beyond the word studies of biblical epistemologists, Pharisaic-rabbinic Judaism use of biblical revelation, mystical vision, dream, or audible divine voice frame mystical empiricism similar to William Alston. Non-foundational realism facilitates a communal resilient oral tradition similar to the rabbinics. Additionally, Luke-Acts extensively engages Hellenistic historiographic method and the concept of "witness." When multiple interpretations occur concerning miracles, epistemic dualistic non-foundational Lockean epistemology emerges to contribute to the authority of communal kingdom testimony. Occasionally, this Lockean approach adds an internal transformation much as Jonathan Edwards modified Locke to set forth his religious affections as a divine virtue epistemology confirming the authentic narrow way through Peircean pragmatism. This internal knowledge provides self-referential confirmation for a personal relationship and filial knowledge. Each of these expressions of knowledge fosters an ultimate Kierkegaardian commitment to the Trinitarian Christian God.
Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)
Features bibliographical, biographical and contact information for living authors worldwide who have at least one English publication. Entries include name, pseudonyms, addresses, citizenship, birth date, specialization, career information and a bibliography.
In 1951, theologian H. Richard Niebuhr published Christ and Culture, a hugely influential book that set the agenda for the church and cultural engagement for the next several decades. But Niebuhr's model was devised in and for a predominantly Christian cultural setting. How do we best understand the church and its writers in a world that is less and less Christian? Craig Carter critiques Niebuhr's still pervasive models and proposes a typology better suited to mission after Christendom.
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