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A visionary and powerful debut thriller set in a terrifyingly plausible dystopian near-future—with clear parallels to today's headlines—in which the future of humanity lies in the hands of one woman, a scientist who has stumbled upon a secret that the government will go to any lengths to keep hidden. A world half in darkness. A secret she must bring to light. It is 2059, and the world has crashed. Forty years ago, a solar catastrophe began to slow the planet's rotation to a stop. Now, one half of the globe is permanently sunlit, the other half trapped in an endless night. The United States has colonized the southern half of Great Britain—lucky enough to find itself in the narrow habitable region left between frozen darkness and scorching sunlight—where both nations have managed to survive the ensuing chaos by isolating themselves from the rest of the world. Ellen Hopper is a scientist living on a frostbitten rig in the cold Atlantic. She wants nothing more to do with her country after its slide into casual violence and brutal authoritarianism. Yet when two government officials arrive, demanding she return to London to see her dying college mentor, she accepts—and begins to unravel a secret that threatens not only the nation's fragile balance, but the future of the whole human race.
The Lisbon Earthquake of 1755 was no run-of-the-mill misfortune-it was a watershed moment that shook the pillars of an inveterate social order and sent reverberations throughout the Western world. Earth, water, wind, and fire all conspired to produce a hellish catastrophe that lasted for a full five days and left Lisbon thoroughly annihilated. Nicholas Shrady's unique account of this first modern disaster and its aftereffects successfully articulates the outcome of the earthquake-the eighteenth-century equivalent of a mass media frenzy giving rise to a host of other fascinating developments, such as disaster preparedness, landmark social reform, urban planning, and the birth of seismology.
During the last week of school, the students in Mrs. Hartwell's class try to come up with the perfect present for their teacher.
A NEW YORK TIMES NOTABLE BOOK • The fates of a cast of seemingly unconnected people converge during the celebration of an ancient holiday in “a darkly glittering novel” (The New York Times) that brings to mind Station Eleven and The Age of Miracles. “A beautifully written, thought-provoking book about life at the end.”—Refinery29 In Domenica Ruta’s profoundly original novel, the end of the world comes once a year. Every May 28, humanity gathers to anticipate the planet’s demise—and to celebrate as if the day is truly its last. On this holiday, three intersecting sets of characters embark on a possibly last-chance quest for redemption. In Boston, bookish wunderkind Sarah is looking for love and maybe a cosmic reversal from the much older Kurt, a tattoo artist she met at last year’s Last Day BBQ—but he’s still trying to make amends to the family he destroyed long ago. Dysfunctional Karen keeps getting into trouble, especially when the voices she’s been hearing coax her to abandon everything to search for her long-lost adoptive brother; her friend Rosette has left the Jehovah’s Witnesses to follow a new pastor at the Last Kingdom on Earth, where she brings Karen on this fateful day. Meanwhile, above them all, three astronauts on the International Space Station, Bear, an American; Russian Svec; and billionaire Japanese space tourist Yui, contemplate their lives as well as their precious Earth from afar. With sparkling wit, verbal ingenuity, and wild imagination, Ruta has created an alternate world in which an ancient holiday brings into stark reflection our deepest dreams, desires, hopes, and fears. In this tour-de-force debut novel she has written a dazzling, haunting love letter to humanity and to our planet. Praise for Last Day “In Ruta’s fiction debut, each May 28 people around the world gather to celebrate what could be the end of the world. The author chooses seven quite different characters, tied together in various ways (romantically, for one pair; orbiting Earth on a space station for three others). Her focus on individual needs and choices as disaster potentially looms gives her story emotional heft.”—The Washington Post “Domenica Ruta’s empathy is broad and deep, her prose fine-grained, her humor sharp but tender. Last Day is a life-affirming antidote to these pre-apocalyptic times.”—Teddy Wayne, author of Loner
First published in 1988, The Last Day, the Last Hour reconstructs the events - military and legal - that led to the trial and the trial itself, one of the most sensational courtroom battles in Canadian history, involving many prominent legal, military and political figures of the 1920s.
From celebrated New York Times bestselling author Luanne Rice comes a riveting story of a seaside community shaken by a violent crime and a tragic loss. Years ago, Beth Lathrop and her sister Kate suffered what they thought would be the worst tragedy of their lives the night both the famous painting Moonlight and their mother were taken. The detective assigned to the case, Conor Reid, swore to protect the sisters from then on. Beth moved on, throwing herself fully into the art world, running the family gallery, and raising a beautiful daughter with her husband Pete. Kate, instead, retreated into herself and took to the skies as a pilot, always on the run. When Beth is found strangled in her home, and Moonlight goes missing again, Detective Reid can't help but feel a sense of déjà vu. Reid immediately suspects Beth's husband, whose affair is a poorly kept secret. He has an airtight alibi--but he also has a motive, and the evidence seems to point to him. Kate and Reid, along with the sisters' closest childhood friends, struggle to make sense of Beth's death, but they only find more questions: Who else would have wanted Beth dead? What's the significance of Moonlight? Twenty years ago, Reid vowed to protect Beth and Kate--and he's failed. Now solving the case is turning into an obsession . . .
Seeking solace for the tragic death of their son at a remote house on the edge of the North Carolina woods, talented surgeon Natasha McCarty and her businessman husband, Ward, find new terror on the eve of the anniversary of their loss as a murderous stalker plots their ultimate demise. By the author of The Last Family. Original.
A breakthrough book affecting the scientific, religious and literary communities, The Egyptian Origin Of Christianity is a comprehensive look at the history of religion through the eyes of the Literary Canon. As a culmination of years of research, this book fills the gaps between modern and ancient religious thought, providing is with the most valuable view of the Egyptian religion to date when compared with The Bible and other classic literature. No other book has explored so well the origins of modern theology. This is done not only in terms of language, but also in terms of education, cosmology, physical symbolism, and tradition. As the first book to, in a scientifically sound way, challenge the ecumenical system, The Egyptian Origin Of Christianity represents the fulfillment of strategy that calls for a comprehensive shift in the way religion is presently understood. "This book will be used for the global restructuring of textbooks everywhere on religious history." —Jessica Jannicelli, Editor, Humana Press "Bargeman's text illustrates many interesting parallels between Christianity and Egyptology. The Egyptian Origin Of Christianity is a fascinating and scholarly sourcebook for those interested in either Egyptology or religious scholarship." —Adrienne Howell, Writer/Editor, Connectivity