From the Booker Prize winning author of Amsterdam, a brilliant new novel. On the hottest day of the summer of 1935, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, son of the Tallis’s cleaning lady, whose education has been subsidized by Cecilia’s and Briony’s father, and who, like Cecilia, has recently come down from Cambridge. By day's end, their lives will be changed – irrevocably. Robbie and Cecilia will have crossed a boundary they had not imagined at its start. And Briony will have witnessed mysteries, seen an unspeakable word, and committed a crime for which she will spend the rest of her life trying to atone… Brilliant and utterly enthralling in its depiction of love and war and class and childhood and England, An Atonement is a profound – and profoundly moving – exploration of shame and forgiveness, of atonement and of the possibility of absolution.
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Includes the shooting script of the film, along with photographs, and complete cast and crew credits (p. 110-116).
In 1935 England, thirteen-year-old Briony Tallis witnesses an event involving her sister Cecilia and her childhood friend Robbie Turner, and she becomes the victim of her own imagination, which leads her on a lifelong search for truth and absolution.
This companion volume to T. F. Torrance's Incarnation: The Person and Life of Christ presents the material on the work of Christ, centered in the atonement, given originally in his lectures delivered to his students in Christian Dogmatics on Christology at New College, Edinburgh, from 1952-1978. Like the first volume, the original lecture material has been expertly edited by Robert Walker, complete with cross-reference to Torrance's other works. Readers will find this the most readable work of Torrance and, together with Incarnation, the closest to a systematic theology we have from this eminent theologian.
ATONEMENT THE SHOOTING SCRIPT� Screenplay by Christopher Hampton Based on the novel by Ian McEwan Introduction by Christopher Hampton A Newmarket Shooting Script� Series Book 30 Colour photos in a colour insert The official screenplay book tie-in to the adaptation by screenwriter Christopher Hampton (Academy Award� winner for Dangerous Liaisons) of Ian McEwan's best-selling 2002 novel, starring James McAvoy (BAFTA Award nominee for The Last King of Scotland) opposite Academy Award-nominated Keira Knightley, directed by Joe Wright (Pride & Prejudice), coming from Focus Features in December. Filmed on location in the U.K., the story of Atonement spans several decades. In 1935, 13-year-old fledgling writer Briony Tallis (Saoirse Ronan) and her family live a life of wealth and privilege in their enormous mansion. On the warmest day of the year, the country estate takes on an unsettling hothouse atmosphere, stoking Briony's vivid imagination. Robbie Turner (James McAvoy), the educated son of the family's housekeeper, carries a torch for Briony's headstrong older sister Cecilia (Keira Knightley). Cecilia, he hopes, has comparable feelings; all it will take is one spark for this relationship to combust. When it does, Briony-who has a crush on Robbie- is compelled to interfere, going so far as accusing Robbie of a crime he did not commit. Cecilia and Robbie declare their love for each other, but he is arrested-and with Briony bearing false witness, the course of three lives is changed forever. Briony continues to seek forgiveness for her childhood misdeed. Through a terrible and courageous act of imagination, she finds the path to her uncertain atonement, and to an understanding of the power of enduring love. Praise for the film Atonement: "Impressively directed, beautifully photographed and superbly adapted drama with terrific performances from its cast."-The View (London)
James K. Beilby and Paul R. Eddy edit a collection of essays on four views of atonement: the healing view, the Christus victor view, the kaleidoscopic view and the penal substitutionary view. This is a book that will help Christians understand the issues, grasp the differences and proceed toward a clearer articulation of their understanding of the atonement.
A concise and accessible student guide to McEwan's popular novel.
This challenging work explores the history of the Christian doctrine of atonement, exposing the intrinsically violent dimensions of the traditional, Anselmian satisfaction atonement view and offering instead a new, thoroughly nonviolent paradigm for understanding atonement based on narrative Christus Victor. The book develops a two-part argument. J. Denny Weaver first develops narrative Christus Victor as a comprehensive, nonviolent atonement motif. The other side of the discussion exposes the assumptions and the accommodation of violence in traditional atonement motifs. The first chapter lays out narrative Christus Victor as nonviolent atonement that reflects the entire biblical story, though paying particular attention to Revelation, the Gospels, and Paul. This biblical discussion also touches on the Old Testament story, Hebrew sacrifices, and the book of Hebrews. Following chapters place narrative Christus Victor in conversation with defenders of Anselm and with representatives of black, feminist, and womanist theologies. These discussions expose an accumulation of dimensions of violence in the several forms of satisfaction atonement. A final substantive chapter analyzes the inadequacy of all attempts to defend Anselm against the recent challenges raised by feminist and womanist perspectives. This analysis lays bare the violent dimensions of satisfaction atonement, which can be camouflaged but not removed. In light of this discussion, Weaver argues that the view of satisfaction atonement must be abandoned and replaced with narrative Christus Victor as the only thoroughly biblical and thoroughly nonviolent alternative.